If the idea of an SLR-inspired compact has your attention, but you don’t want to spend more than a grand, Olympus has a new one in the mix, and from our early hands-on, it’s a lovely little camera.
Joining the digital OM family in March is a compact that takes off some of the weight from previous models, while keeping quite a bit of the tech in, and shedding a few dollars in the process.
Named the E-M10, Olympus wants this to be its “premium compact interchangeable lens camera,” which given some of the specs, we can certainly see happening.
To make this camera, Olympus is taking some of the tech seen in its previous mirror-less cameras, and throwing it into a smaller body, made of metal and textured in some sections with a feeling of leather.
There’s no weather-proofing here like on prior OM-D models, but we’re told this is even smaller than Canon’s 100D, which impressed us last year, and manages to be one of the smallest digital interchangeable lens cameras available today.
Olympus isn’t changing much from the E-M5 in the imaging department, with the same 16.1 megapixel LiveMOS sensor from that camera, while the imaging sensor is taken from the E-M1. With both of these parts on board, the E-M10 will shoot up to 8 frames per second with low-light sensitivity rated from ISO 100 to 25600, though 6400 is native.
We’ve reviewed both of these cameras in the past, and each are excellent, so it’s good to see that the E-M10 will likely be solid in the quality department, too.
Still, with a pre-production model in hand, we figured we’d test it ourselves, dialling up the sensitivity to test out noise at both ISO 3200 and 6400.
Outside of the image quality, Olympus is keeping some of its art modes as well, including the story mode, which encases multiple images inside frames with some of the art effects working on said images.
Another feature missed out by the higher premium models will be one likely to appeal to owners of these cameras, and that’s a mode called “live composite mode” which will stack images shot automatically over a period of several hours and create long-exposure RAW or JPEG files with only the changes registered.