Price (RRP): $219.95
The Bluetooth earphones I most return to when I’m not reviewing something else are the Powerbeats Pro true wireless earphones. We reviewed them here. But their appeal to some will no doubt be diminished by the nearly $350 price tag. However, now Beats has released the non-Pro Powerbeats earphones at a much lower $219.95.
Powerbeats vs Powerbeats Pro
Why the lower price? Because the Powerbeats lack one major feature of the Powerbeats Pro: they are not true wireless earphones. That is, the left and right earpieces are joined together by a short length of wire. So, of course, they’re not as cool. And as is the norm for wired Bluetooth earphones, neither do they come with a charge case – just a soft carry satchel.
Are those changes a killer for the Powerbeats? Far from it. There are actual advantages to the Powerbeats, which I’ll get to shortly. Meanwhile, what do you get?
The earpieces of the Powerbeats use over-ear hooks for a secure fit. Indeed, they look almost identical to the Powerbeats Pro earphones, except with the addition of the wire between them. They come with four different sizes of silicone tips. Putting them on involves tucking your ears into the loops. I did lots of bike riding and a bit of jogging – no gym for me in these lockdown days – and there was never the slightest sense of them loosening.
There are three colour options: white, black and red. The review ones were white. I’m generally not too keen on wearing white earphones, but despite their fairly large size, they didn’t look out of place. I do worry that they’ll get visibly dirty over time, although there was no hint of that over the week or so I was using them – even after doing some garden work.
The Powerbeats are IPX4 rated, which means they’ll be fine with a bit of exercise sweat and rain showers.
As with the Powerbeats Pro, the Powerbeats have controls on the earphone loops. With the Powerbeats Pro, they’re duplicated on both sides. With the Powerbeats earphones, they aren’t. You have a press button on the right bud for play/pause, skipping tracks and dealing with phone calls. A press-and-hold invokes Google Assistant if you’re using Android. Beats stuff is well-integrated into the Apple ecosystem, so if you’re using an iPhone, you can just say “Hey Siri”. Pairing with an iPhone/iPad is also easier. Just put the Powerbeats in pairing mode and hold them up to device. The phone or whatever will vibrate and ask if you want to pair.
On the crossbar of the right earphone is a rocker button for volume up and down, and on the other side is the power/pairing button. You charge the Powerbeat earphones using a Lightning connection on the right earphone. This is open all the time, with no silicone cover. The Powerbeat earphones are rated at up to 15 hours battery life. Five minutes of charging can give up to an hour of playback.
Beats doesn’t say much about the internal design details, other than mentioning that they use the Apple H1 chip and operate as Class 1 Bluetooth devices. I’ve found other devices using the H1 chip work very nicely, and Class 1 means higher power and thus greater range. Indeed, I found a solid connection out to 25 metres at worst and 50 metres if you keep your head pointed the right way.
Using the Powerbeats earphones
Apart from the much lower price, the major advantage of the Powerbeats over the Powerbeats Pro earphones is left-right stability. The Powerbeats Pro earphones occasionally respond to some brief signal interference by going slightly out of sync with each other. It’s disconcerting to have the sound coming from both earphones the same, yet slightly different in timing. It’s easily solved by pausing playback for about five seconds and then resuming. Presumably it has something to do with the wireless communication between the phone and the buds and each bud with the other. But with the Powerbeats, there is no wireless communication between the earphones so they never go out of sync.
The connection was a little more reliable overall than the Powerbeats Pro. Beats doesn’t mention any of the premium codecs, so it’s safe to assume that it uses the basic Bluetooth SBC codec for stereo music.
Isolation from external sounds was good. As I said, I did a fair bit of bike riding and found that wearing the Powerbeats earphones presented no difficulties while wearing a bike helmet, and that even at 40km/h, wind noise was controlled sufficiently well that I could continue to listen to podcasts without difficulty. The volume controls on the earphones proved convenient, too, in those circumstances. The volume adjustment was independent of the phone’s volume setting – some headphones adjust their volume by telling the phone to turn its level up or down. This one adjust on top of whatever the phone setting is. So you can set the phone to max and do all your adjustment on the Powerbeats earphones.
The controls are lightly sprung, so easy to operate. Comfort was reasonable and improved over time as my ears got used the earphones.
Listening to the Powerbeats earphones
I keep insisting that the former terrible reputation Beats had for audio quality is no longer deserved. When Apple took over Beats, the new range of products eliminated the boomy, dull sound that previously marked the brand. That much improved quality continues with the Powerbeats. Overall, they sound very similar to the Powerbeats Pro. I wouldn’t be surprised if they use the same drivers and amplifiers – Beats is coy about those technical details.
The bass balance of Powerbeats was good. There was plenty of deep and mid bass, but it wasn’t overblown. Oh, what a change from those earlier models. That meant that I could enjoy music with high bass levels – such as Billie Eilish’s Grammy award-winning album – without the bass covering up all the other stuff in the recording. But it also meant that I could enjoy and clearly follow the more restrained bass of older recordings. With recordings a little inclined towards a bright tone – such as Love Over Gold by Dire Straits – the Powerbeats earphones gave a slightly clangy, pinched feel to the snare drum. That’s by no means unique to them. Despite this, on the title track there was a nice sense of air underneath the percussion. Mark Knopfler’s vocals were a little recessed, not necessarily a bad thing.