Sony noise-cancelling headphones were the first consumer active noise cancelling headphones on the market. Some 21 years ago I reviewed the first model. They were the Sony MDR-NC20 on-ear headphones, one of three models released by Sony in 1996. Guess what? I still have them. And the noise-cancelling still works.
Has the technology has come along at all this past 21 years. By much? By a little. Not at all?
So why not a Sony noise-cancelling headphones shootout. The 1996 Sony MDR-NC 20 headphones vs the 2019 Sony WH-1000XM3 noise-cancelling headphones.
You can read what our editor thought of the latter here. Spoiler: he gave them an overall score of 4.9 out of 5.0.
The old Sony noise-cancelling headphones
The Sony MDR-NC20 headphones came out in 1996 as part of a group of three different noise-cancelling headphones. The MDR-NC05 headphones were very similar, but weirdly used an open-back design. The MDR-NC20 headphones were closed back, which afforded some passive noise reduction to assist the active circuitry. The MDR-NC10 models were earbuds.
The MDR-NC20 headphones were very expensive for those days — $299 – as befitted ground-breaking technology. The noise-cancelling models from a certain well-known competing brand didn’t appear until the year 2000.
I laid hands on Sony model in 1998. They are light-weight on-ear headphones with a spidery headstrap. They kind of collapse into a ball for packing away or taking with you. The Sony MDR-NC20 headphones are wired – nothing was Bluetooth in those days. They were powered by a single AAA battery which resided in a pod above the right earcup. Then, as now, Sony made left and right distinct by using red labelling for right.
I won’t go deeply into the Sony WH-1000XM3 headphones. They are thoroughly covered here. But, in short, they are over-ear models that thereby offer a little extra passive noise isolation. They come with a case, and while they also come with a cable to connect to analogue outputs (an airline 2-prong adaptor is included), they are primarily Bluetooth headphones. They support all the higher quality codecs: AAC, aptX, aptX HD and Sony’s own LDAC.
The old Sony MDR-NC20 headphones were specified to reduce noise in the band from 40 to 1,500 hertz. Sony is coy about the noise reduction capabilities of the newer headphones.
I can’t help but agree with my colleague in his review of the Sony WH-1000XM3 headphones. They sound very good. In fact, they sound much, much better than any $400 headphones have the right to sound. Even passive ones. Throw in the Bluetooth, the advanced codecs and the noise cancellation and you have an incredible bargain.
As for the Sony MDR-NC20 headphones, I had a problem. Having pulled them out of storage, I found that the headphones produced no music when plugged into a player. After some tests I have determined that the problem lays in the weak point of older headphones and earphones: cables fatiguing and breaking. Something in the bottom section of the cable something has broken.
I contemplated performing some surgery on the cable, but decided instead to rely on my original review for listening impressions. Here’s some of what I wrote:
Sony took the opportunity of having amplification built into the headphones to flatten the frequency response. This is just as well as the unequalised drivers are rather deficient at both extremes of the sound spectrum, colouring the sound with a distinctive midrange forwardness. The change to a flatter response and a marked increase in sound level (surely more than the 1 dB Sony allege) whenever the circuitry is engaged makes it difficult to judge what differences can be attributed to the noise-cancelling circuitry alone.
The sound quality with the circuit off is inferior in conventional terms, but more attractive and somehow easier on my ears (even after I’ve cranked up the volume). Flicking the switch (and turning down the volume), the effect to my ears is that of a closing in of the sound, a flattening of the distinction between instruments. If these were speakers rather than headphones, I would describe it as a loss of depth, its replacement with a solid wall of sound. The headphone hiss also subtly modifies the higher frequencies, reducing the sense of air that so helps define them. Indeed, it may be this is the sole problem, rather than anything to do with the noise reduction circuitry itself.
The Sony MDR-NC20 headphones are expensive – $299 – and if that was my full headphone budget I would not spend it on them. Better sonic performance is available at that price elsewhere.
So, how to test noise cancellation? Well, the method I use is with airplane noise. A couple of years ago I sat in the rearmost seat of a Dash 8 turboprop airplane on the Canberra/Sydney route and videoed the passing ground through the window. I play that video back on my computer and don various noise-cancelling headphones to assess their effectiveness. I have exceptionally good speakers on my computer, so when I wind the level up to average around 100dB SPL (C-weighted), it’s pretty much like it was on the airplane, except worse.
Now – remembering that noise cancellation was a very new thing for consumer tech back in 1998, I was impressed. Really impressed.
In my review, back then, I prattled on about its effect in various environments, and concluded: