Price (RRP): $3,299
Reviewer: Thomas Bartlett
In its branding of a number of features in its new Cineos 42PFL9703 LCD TV, Philips has exhibited conspicuous courage. Those features are ‘Perfect Pixel HD Engine’, ‘Perfect Natural Motion’, ‘Perfect Contrast’ and ‘Perfect Colors’.
If you label your video processing engine ‘Super’, ‘Ultra’, ‘Hyper’, you are using a more or less relative term. You may be saying that your processing engine is the best that has ever been, or merely that it is better than last year’s model. But if you label it ‘Perfect’, you are saying that it is as good as any video processing engine can ever be. You are saying that there won’t be a ‘Perfect Pixel HD 2 Engine’ next year, because there would be no point.
So, are the motion, contrast and colours of this TV perfect? Let us see.
But first, let’s see what else the TV does, as it does do an awful lot.
First, the display panel is a full high definition model, with 1920 x 1080 pixels, measuring 107 cm (42 inches, which Philips notes makes it 10 percent bigger than the common 40 inch size). Second, this panel is packed with perhaps the most extensive array of video processing technologies ever incorporated into a TV. That’s where the whole ‘Perfect’ thing comes in, but more on that later on.
Third, the TV is incredibly well-connected. It supports composite video, S-Video, component video, HDMI, computer-style RGB, and consumer-style RGB (via a pair of Euro-SCART sockets). It also has a USB socket on the side (one of the four HDMI inputs is on the side as well for easy accessibility). Generally TVs with such sockets provide them for photo display. This TV also plays video (MPEG1 and MPEG2 video) and MP3 music.
Finally, there’s something I’ve never before seen on a TV: a network connection. Plug it into a router servicing your home computer network and you have access to the same media formats as you would from USB, as provided by media server software on your computer. For Windows computers, Windows Media Player 11 or later does the trick, but there are also servers available for Linux and (Intel-based) Macs.
So how does the TV measure up? On Philips’ own label – ‘perfect’ – it fails. Of course. It’s a pity that Philips used that word, because the TV is so very, very good. It simply falls short of perfection. As you would expect.
For example, it has excellent black levels… for an LCD TV. These are helped by the dynamic contrast processing, which reduces the level of the backlight when the picture is dark, or when the ambient light in the room is dark (you can switch either of these features off if you like, as you can with all the other picture enhancement features).
But it is not entirely black. A good plasma beats it here. It is good for LCD, but imperfect.
The colour? It may well be perfect. It certainly looked absolutely wonderful. Philips says it has 17 bits of colour depth for each of the three colours, allowing 2250 trillion different colours. This certainly trumps every other brand and, I suspect, the capabilities of the human eye. More importantly, the colours were smoothly rendered and the processing of the TV kept them clean and delivered smooth graduations.
The TV also proved capable of excellent scaling of the incoming video to its screen, providing generally an extremely smooth image. The only failing here was with 576i material delivered from a DVD player. The TV’s deinterlacing seemed to be strongly biased towards treating the signal as video sourced, and this generated artefacts on some material. There was no way to control this within the TV’s settings, so you would do best to use a high quality progressive scan DVD player.
One of the aspect ratio settings is called ‘Unscaled’, and this is the one to use for 1080i or 1080p sources since, as its name suggests, it doesn’t scale the image. That means that each pixel from the source is allocated to the matching pixel on the screen without unnecessary processing. This setting isn’t available for 576i or 576p input, but it is with 720p television, such as that from ABC HD. In this case it does scale the picture up, but only to the actual size of the display panel. With 576i and 576p, the picture is scaled up to a little larger than the display area, with the overflow (called ‘overscan’) invisible off the edges of the display.