Developed in collaboration with leading professional photographers to meet their most discerning requirements, Epson’s newly released Traditional Photo Paper is earning widespread high praise where it counts most – from the professional photographers themselves.
Traditional Photo Paper is a breakthrough paper designed exclusively for use with Epson’s UltraChrome ink, offering photographers greater creative control due to its extraordinary D-Max and tonal transition characteristics in black and white, and the ability to print stunning colour on the same paper, something that was not possible with silver gelatine fibre based papers.
Photographers who contributed to the development of Traditional Photo Paper say that what sets it apart from other photo papers are its extraordinary blacks, clean whites and a surface texture that is just like a true black-and-white silver gelatin print.
Multi-award winning photographer Marcus Bell of Studio Impressions Photography in Brisbane, recently judged Australia’s leading wedding and portrait studio, said Epson’s Traditional Photo Paper is leaps ahead of anything else out there and supersedes anything that could be done in the dark room.
Previous winner of Australian Wedding Photographer of the Year and three times NSW Wedding Photographer of the Year, David Oliver, said this is the photographic paper that finally got him out of the darkroom.
Fibre photo paper base
Extremely high D-Max (2.5)
Wide colour gamut when used with Epson UltraChrome K3 Ink
Substantial 330 gsm weight
Acid and lignin free
Micro porous smooth gloss (F-Type) surface
Minimal gloss differential
Smooth elemental-chlorine-free bleaching with minimal optical brighteners
Compatible with UltraChromeT ink and UltraChrome ink with Vivid Magenta
Traditional Photo Paper will be available in packs of 25 in A4, A3+, A2 and 24 inch x 36 inch sizes.