That model number has meaning: 5.1.2 is a one of the
preferred speaker arrangements of we home theatre types. The 5 is front, centre
and surround, the 1 is the subwoofer and the 2 is the number of overhead
channels. The Hisense HS512 supports Dolby Atmos and DTS:X.
There’s not all that much information about the soundbar on
the website or in the manual, so I’ll just lay it out in full, thus:
11 speaker drivers
4 upwards firing
2 HDMI inputs
Optical digital audio input
Coaxial digital audio input
USB 2.0 socket for audio playback
1 HDMI output, supporting ARC
4K UltraHD pass through
The aforementioned Dolby Atmos and DTS X
Wireless subwoofer with 8-inch driver
To expand a little, there are several options for feeding a
signal to the Hisense HS512. The main way is via one of the two HDMI inputs.
Both of these pass through video signals up to UltraHD. Another way is back
down the HDMI output from the TV using the Audio Return Channel support.
Then there are the two digital audio inputs, both coaxial (ie. electrical) and optical are provided. And there’s a 3.5mm analogue audio input as well. And you can connect your phone to the soundbar via Bluetooth.
Speakers and size
The soundbar is 1,200mm wide, but rather slender at 73mm
tall and 110mm thick. What I found impressive was the subwoofer. Usually the
wireless sub packaged with soundbars gets by with a small driver, with
consequent limitations in bass performance. This one comes with a 200mm
downwards firing driver in a bass reflex loaded enclosure. The box is larger
than usual, too, at 420mm tall by 240mm by 240mm. The port is on the same side
as the power connection. In general I’d prefer it weren’t because you typically
want the power connection close to a wall to hide it, but the port needs a bit
of breathing room.
There’s a pairing button on the sub, but I didn’t need to
It’s unclear how much of the claimed 380 watts the subwoofer
Now, back to the soundbar. Eleven speaker drivers, huh?
Where did they put them all?
Well, four are obvious: they don’t have grilles over them.
There’s one of those on each end of the bar, pointing out to the sides. And
there’s two on top, one near each end, firing mostly upwards, but slightly
forwards, out into the room.
I located the rest by peering closely through the metal
grille, using an artfully directed torch. Two more upwards-firing drivers are
next to the exposed ones on the top. They also are slightly canted forwards.
But those hidden ones seem to be smaller, and recessed into something of a
horn. Presumably that increases their directivity for firing up at the ceiling.
There are four drivers across the front firing directly out into the room. Two are close together near the middle and the others are each about 300mm in from their respective ends.
Setting up the Hisense HS512
Between the centre speakers and the right-hand one is the
LED display which shows status through the grille. Above that is a set of four
control keys, although you will mostly use the slim remote control. And between
the centre speakers and the left-hand one?
Well, there was clearly something in there. It looked like
the end of an angled tube, with its aperture pointing further to the left. My
guess is that it’s a bass reflex port, but that leaves us at ten speaker
drivers, not eleven. Perhaps there’s an internal woofer behind that. You
wouldn’t use it for high frequencies because it would wreck the spatial
Installation took me maybe three minutes. I pushed back my
TV a little to make room, put the bar in front of it. I pushed aside my usual
subwoofer and put the Hisense one in its place. Plugged in the HDMI cables –
one for connecting the soundbar to the TV is included – and the power and it
was done. Except, that is, for adjusting the bass, but I’ll return to that.
Also included with the soundbar and the HDMI cable are wall brackets, so it’s ready to be wall-mounted, along with a 3.5mm to 3.5mm audio cable.
The Subwoofer … where to put it?
I am a confirmed corner guy. I’ve measured the output from
subwoofers from all kinds of different places in my room, and the front corner
always works best. That’s why I pushed aside my regular subwoofer and put the
subwoofer from the Hisense HS512 system in its place.
Big mistake. It sounded quite disconnected from the
soundbar, as though its bass was only loosely associated with the upper
frequencies. That was in part because the level was way too high for that position.
A corner placement boosts bass output. I ended up turning down the subwoofer
level to the minimum possible, an indicated “-9” to try to get balance. Yet it
was still disconnected.
I did some measurements and found the cause: there was a big
gap in output between 100 hertz, above which the subwoofer’s output was
diminishing rapidly, and 230 hertz, below which the soundbar was also
diminishing. Thus the disconnection.
So, I broke my rule and put the subwoofer right next to the
soundbar, far from corner. That balanced things quite a lot, lifting the output
floor between the two units’ prime competencies. I’d suggest you do the same.
I ended up settling on an output for the subwoofer of an indicated “-4”.
With that setting, the system produced respectable output
all the way from 40 hertz up to beyond 20,000 hertz. The subwoofer seemed to
have a peak a little above 50 hertz, and fell away quite rapidly below that. There
was still a hole between 100 hertz and (now) 220 hertz, but with a higher floor.
Above that the output was kind of even to around 2,000 hertz, and then
diminished by around 6dB to a new level, which it maintained out to 20kHz.
Just looking at those raw numbers, it seems quite
inaccurate. But in practice, it produced a clean, almost mellow sound, in large
part due to the restrained treble.
In a second we’ll do some listening. But first, in a home
theatre system it’s important that the video be properly handled. And, indeed,
it was. I pulled out a few UltraHD Blu-ray discs. The routine stuff was fine.
But so was the harder stuff. Dolby Vision-encoded video signals passed through
properly, as of course did the easier-to-handle HDR.
And so did UltraHD at 60 hertz. There isn’t much of that
stuff around so far, but people like Ang Lee keep making High Frame Rate movies
so we’re likely to see more of it.
The USB input is of limited usefulness for a couple of reasons. One is that it only appeared to support MP3 files. At least it wouldn’t play FLAC or iTunes-style AAC. The second is that there’s no way of choosing music. It just plays songs in order. Still, for parties and such you can load up many hours of your favourite MP3s onto a thumb drive and just let it run. You can skip tracks, skip back and play/pause using the remote control.
Listening to the Hisense HS512
First things first: the Hisense HS512 claims to be able to
do Dolby Atmos. So I span up a Dolby Atmos disc and two things were apparent.
First, the unit recognised the signal and displayed “Dolby Atmos” on its front.
Second, it sounded, well, Atmos-y. I went to my well-used
Dolby Atmos test disc, and played the “Leaf” trailer. The amount of “height”
sound was astonishing. A bit more, if anything, than usual. Those top speakers
really pump out the sound.
Then I ran the Transformers: Age of Extinction
trailer and again, the surround effect, particularly overhead, was excellent.
In reality, there was virtually nothing behind me in sound, but the strength of
the overhead performance kind of papered-over that.
There is also an Enrique Iglesias music video on that disc.
“Bailando” – a hit in 2014 – was delivered with superb rhythm and punch, and
again with a that all-around-and-overhead sound one would expect from Dolby
I’m actually a bit irritated, because this track sounds
almost as good as it does on my regular system … and that’s a system that’s closer
At this point I should note that the soundbar goes remarkably loud while remaining clean. As I’m writing right now, I’ve got the Muse album Showbiz running at a ludicrously high level. It challenges soundbar systems twice the price for this level of performance.
But it doesn’t challenge my proper, discrete, 5.1.2 system
with all the tests. I use an old disc – DVD Video Essentials – to test that all
the channels are working properly. And they were.
The front left, centre and right were clearly delivered by
the speakers on the front as you’d expect. Surround left and right were
delivered by the speakers on the ends. Height was delivered by the speakers on
But then something interesting happened. The test disc
includes a Dolby Digital 5.1 track with a narrator being panned in a circle
around the circumference of the room. There wasn’t much aural evidence of it
when he was supposed to be behind me – he just sounded relatively disembodied.
But the interesting part was when he panned across the front. When he was in
the centre channel, he sounded just as he ought to. But when he was in the left
or right front position, all the bass tones disappeared from his voice and he
sounded extremely thin. It was as though in setting up the soundbar processing,
the designers had forgotten to set a bass crossover for front left and right.
Well, with surround material anyway. It all worked perfectly
well with stereo sound.
I confess: I had the Hisense HS512 soundbar in my storage
space for a couple of months. I wasn’t all that keen to write the review. I
expected a dissatisfying performance and the hassles that sometimes go with
such a review. (Not, I hasten to say, that the Hisense people have ever been
anything other than pleasant in my experience.)
But what do I find? A $1,000-ish soundbar (heh, $744 from
Bing Lee as I write) that performs as well as many a $2,000 soundbar. I’m
Hisense’s website for this unit is here, but you won’t find any more information there than I’ve laid out here.
Value for money
Ease of use
Good sound quality
Easy to setup and use
Excellent value for money
Doesn’t seem to handle bass properly on left and right channels when in surround mode